American Painter, ca.1857-1932 American painter and illustrator. Of Swedish descent, the family moved to Toledo, OH, when Lungren was four years old. He showed an early talent for drawing but was intended by his father for a professional career and in 1874 entered the University of Michigan, Ann Arbor, to study mining engineering. He left in 1876, however, determined to become an artist. After a protracted dispute with his father, he was allowed briefly to attend the Pennsylvania Academy in Philadelphia, where he studied under Thomas Eakins and had Robert Frederick Blum, Alfred Laurens Brennan (1853-1921) and Joseph Pennell as fellow students. In the winter of 1877 he moved to New York, where he worked as an illustrator for Scribner's Monthly (renamed Century in 1881) during the period known as 'the Golden Age of American illustration'. His first illustration appeared in 1879 and he continued to contribute to the magazine until 1903. He was also an illustrator for the children's magazine St Nicholas from 1879 to 1904 and later for Harper's Bazaar, McClure's and The Outlook.   Related Paintings of Lungren, Fernand Harvey :. | Cottage (nn04) | Junge Frau mit Klatschmohnbluten im Haar | Cocks 107 | Portrat der Therese Berard | church |
Related Artists:
Hiram Powers
American Neoclassical Sculptor, 1805-1873, American sculptor. He grew up in Cincinnati, OH, and his career as a sculptor began when he created animated wax figures for a tableau of Dante's Inferno at Dorfeuille's Western Museum in Cincinnati, where he was supervisor of the mechanical department. He learnt to model clay and make plaster casts from Frederick Eckstein (c. 1775-1852). The portrait busts he created of his friends attracted the attention of the wealthy Nicholas Longworth, who financed trips for Powers to New York in 1829 and to Washington, DC, in 1834, when he sculpted President Andrew Jackson (marble, c. 1835; New York, Met.). Powers's strikingly lifelike bust, classicized only by the drapery, brought him commissions from other Washington luminaries, including John Marshall (marble, 1835; Washington, DC, US Capitol), Martin van Buren (marble, 1837; New York, NY Hist. Soc.)
Mikolajus Ciurlionis
1875-1911 Lithuanian Mikolajus Ciurlionis Locations Lithuanian painter and composer. He studied with Noskowski in Warsaw and with Jadassohn and Reinecke at the Leipzig Conservatory (1901). His music makes use of invented modes, colourful harmony and autonomous rhythms; he wrote much for the piano as well as orchestral and chamber music. He was also famous as a painter.
Marie Bashkirtseff
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.